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Darren Harvey-Regan, Patros, 2019, custom baked bread, dimensions variable

Darren Harvey-Regan, Patros, 2019, custom baked bread

Darren Harvey-Regan, Metalepsis, installation view at Copperfield, London, 2017

Darren Harvey-Regan, Mass (triptych), 2013, C-type handprint, 93 x 35, 100 x 80, 93 x 35 cm

Darren Harvey-Regan, Beauties of the Common Tool, 2013, Fibre based handprint, 69 x 87 cm

More or Less Obvious Forms, 2012, C-type prints, 70 x 56cm

Darren Harvey-Regan, The Halt, 2011, C-type print with axe, 54 x 43cm

Entwining image and object, the work of Darren Harvey-Regan (b. 1974 Exeter) often sees a hybridisation of the conventions of photography and sculpture. As quietly humorous as they are frustrating his works challenge the viewer to distinguish where representation ends and the object begins. “The presentation of photographs in interaction with objects serves to highlight the inherent tensions within representation; between the photograph as an object and the image of the world it contains. In this way, I consider the photograph as being something not only to think about, but to think with.”

Darren Harvey-Regan is a graduate of the Royal College of Art. His work has appeared in exhibitions and publications internationally and is part of the permenant photography collection at the V & A Museum, London. His solo exhibitions include Meralepsis, Copperfield Gallery, London (2017); The Erratics, Copperfield, London (2015 - 2016); The Erratics, Passaggi - Arte Contemporanea, Pisa (2015); Phrasings, Ravestijn, Amsterdam (2013); A Shifting Sense of Things, Sumarria Lunn, London (2013); A Collection of Gaps, Phoenix, Exeter (2011); and Fact, Room Gallery, London (2011).
 
Group shows include Walker Evens Revisited curated by David Campany, Kunsthalle Mannheim, Germany (2020); Pic.London, Ambika P3, London (2017); Perfectionism (part iii): The Alchemy of Making, Griffin Gallery, London (2016); MAC International, finalist, Belfast (2016); Not Really Really, Collection Frédéric de Goldschmidt, Quai du Commerce, Brussels (2016); In and Out - Spatial Correspondence, RAUMX, London (2016); Against Nature, Photo50 curated by Sheyi Bankale, London (2015); A History of Photography, V & A, London (2014); Exile, ONCA, Brighton (2014); Act & Application, Lawrie Shabibi, Dubai (2014); GeoGráfica, FOTOTROPIA, Guatemala City (2013); The Animal Gaze Returned, Sheffield Institute of Arts (2013); Moves, Chandelier Projects, London (2013); Confined, Nest, Den Haag (2012); Recasting the Gods, Sumarria Lunn, London (2012); Collaborators 3, ROOM, London (2012); Breaking Surfaces, Jette Rudolph, Berlin (2012);  I’ll Be Your Mirror, Monte Vista, LA & Nancy Kranzberg, St Louis (2012); The Animal Gaze Returned, Cass, London (2011); Object Dada, Edel Assanti, London (2011); Photography as Object, Sumarria Lunn Gallery, London (2011); Catlin Prize, London (2011); New Contemporaries, ICA, London (2010); Elisions / Show One, Gulbenkian Galleries, RCA, London (2010).

Darren Harvey-Regan is a recipient of the Leverhulme Trust Award (2009) and is part of the Hal Silver collective. Publications include The Erratics, RVB Books, monograph, Paris (2017); Constructed: The Contemporary History of The Contructed Image in Photography Since 1990, Routledge, New York (2017); Photography is Magic, Charlotte Cotton, Aperture, New York (2015). His book 'The Erratics' has been shortlisted of the Aperture/ Paris Photo First Photobook Award (2017). 
 

For his most recent solo exhibition with the gallery please click here.