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Ada Patterson
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b. 1994, Bridgetown, Barbados.
Lives and works between Rotterdam, Barbados and London.



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Ada Patterson is an artist and writer based between Barbados, London and Rotterdam. She works with drawing, masquerade, music, performance, poetry, textiles and video, considering the connections between storytelling, transformation, crisis, grief, rage, disappearance, discretion, self-defence and survival.
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Recent projects include: Prospect.6: the future is present, the harbringer is home, Prospect New Orleans Triennial (USA, 2024/2025); ​Garden Futures: Designing with Nature, Het Nieuwe Instituut, Rotterdam (2025, Netherlands); Resilience, Expo CC Strombeek, Grimbergen (2024, Belgium); Re/Sisters: A Lens on Gender and Ecology, The Barbican, London (UK, 2023), and FOMU Antwerp (Belgium, 2024); The Plural of He, Leslie-Lohman Museum of Art, New York (USA, 2024); Textile Now: each thread tells a story, Textiel Museum, Tilurg (2023, Netherlands); Life Between Islands: Caribbean-British Art 1950s – Now, Tate Britain, London (2022, UK); How dare you make me feel this way, Museum Arnhem, Utrechseweg (2023, Netherlands); Here Comes the Sun, Art Gallery of Burlington, Ontario (2022, Canada); Alice Yard, documenta fifteen, Kassel (2022, Germany); and The Whole World is Turning, TENT, Rotterdam (2020, Netherlands). 

Patterson had been selected for artist residencies internationally, including Rijksakademie van Beeldende Kunsten, Amsterdam, NL (2024); Documenta Fifteen, Kassel, hosted by Alice Yard from Trinidad and Tobago (2022), LIVE WORKS Free School of Performance, Centrale Fies, Dro, Italy (2022), CCA Glasgow + Primary Performance Residency, Barbados (2022), On Shelter, Hotel Maria Kapel, Hoorn, Netherlands (2021), NLS Kingston Curatorial Fellowship, Kingston, Jamaica (2020). 

Patterson has been awarded the Profielprijs Award, Stitching Profiel, at Textiel Museum, Tilburg, Netherlands in 2023 and was the 2020 NLS Kingston Curatorial and Art Writing Fellow. Her work is held in the collections of the Leslie-Lohman Museum, NYC (USA), Textile Museum, Tilburg (NL), and private collections including those of Liza Mauer, Bianca Roden,W&Y Cooreman, Lief Djurhuus, S. Davíðsdóttir, R&J Cowan, and TPCA collection.


To view her most recent solo exhibition with the gallery please click here.

To view her most
 recent group exhibition with the gallery please click here.

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Ada Patterson, Looking for 'Looking for Langston', 2019 Digital Video and photograph
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Exhibition view: Ada Patterson, to be rewritten on banana leaves at Copperfield, London 2022
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Ada Patterson, Kanga for the Present (INFINITE GROWING, INFINITE YEARNING), 2019, Mixed media, inkjet on cotton, 100 X 140 cm
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Installation view: Ada Patterson: 'The Whole World is Turning' at TENT, Rotterdam (photo: Aad Hoogendoorn)
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Ada Patterson, Bikkel, 2018, Digital Video, 00:08:36 (Filmed by Kamali van Bochove)
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Ada Patterson, Looking for "Looking for Langstonā€, 2019, Three photographs, digital C-prints on paper, Installation at Tate Britain: Life Between Islands, Caribbean-British Art 1950s-Now
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Ada Patterson, Kanga for the Present (THE WHOLE WORLD IS TURNING), 2019, underdrawing, gouache on paper
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Ada Patterson, The Whole World is Turning (still from video), 2019, Digital video, 00:21:02
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Exhibition view: Ada Patterson, to be rewritten on banana leaves at Copperfield, London 2022
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Ada Patterson, Buchibushi (still from video), 2019, Digital video, Performance, 00:09:40
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Ada Patterson, KANGA FOR THE PRESENT (The Girls Are Fighting), 2022, Mixed media ink jet on silk, 110 x 140 cm


Solo Exhibitions
2023
God forbid you draw attention to yourself, Gemaal op Zuid, Rotterdam, Netherlands 


2022
'to be rewritten on banana leaves', Copperfield, London, UK
Kanga for the Present, Manifold Books, Amsterdam, Netherlands
 
2021
Kanga for the Present, Hotel Maria Kapel, Hoorn, Netherlands
 
2020
The Whole World is Turning, TENT, Rotterdam, Netherlands 
 
2019
Things You Threw in the Gully, Roodkapje Rotterdam, Netherlands
 


Group Exhibitions
2025

Prospect.6: the future is present, the harbringer is home, Prospect New Orleans Triennial, USA 
Garden Futures: Designing with Nature, Het Nieuwe Instituut, Rotterdam, NL 
Taking Root Among the Stars, W139, Amsterdam, NL 

2024
Prospect.6: the future is present, the harbringer is home, Prospect New Orleans Triennial, USA 
Garden Futures: Designing with Nature, Het Nieuwe Instituut, Rotterdam, NL
​Taking Root Among the Stars, 
W139,​ Amsterdam, NL 
Resilience, Expo CC Strombeek, Grimbergen, BE
Wade, Kaplan Gallery, Maryland, USA
Re/Sisters: A Lens on Gender and Ecology, FOMU Antwerp, Belgium
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The Plural of He, Leslie-Lohman Museum of Art, New York, USA 
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2023
​Re/Sisters: A Lens on Gender and Ecology, The Barbican, London, UK
Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters, Gallery 360, Boston, USA
Transatlantic Connections: Caribbean Narratives in Contemporary Art, presented by 1-54, Christie's, London, UK
Textile Now: each thread tells a story, Textiel Museum, Tilurg, the Netherlands
To Sea at The Crossover, 38CC, Delft, Netherlands
Acknowledge Rebuild: Wunderkammers of Rotterdam’s Colonial Past, Kunsthal Rotterdam, Rotterdam, the Netherlands
Dolf Henkes Prijs 2023 Exhibition, TENT Rotterdam, Netherlands
KaplanKaplan, Copperfield, London, UK
How dare you make me feel this way, Museum Arnhem, Utrechseweg, Netherlands
 
2022            
Alice Yard, documenta fifteen, Kassel, Germany
At Peace II, Two Queens Studio, Leicester, UK
Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters, The Gallatin Galleries, New York, USA
Live Works Vol. 9, Centrale Fies, Dro, Italy
Here Comes the Sun, Art Gallery of Burlington, Ontario, Canada
Life Between Islands: Caribbean-British Art 1950s – Now, Tate Britain, London, UK
A Paradise for the Smiling Alligators, Lecce Art Week, Italy
 
2021
Worlds between Words, Showroom MAMA, Rotterdam
In the Eye of the Storm, Z33 Kunstcentrum, Hasselt Belgium
Re: Re: Re: Re:, Mourning School, Galleri Nef, Stockholm, Sweden
 
2020
Departures, Expoplu, Nijmegen, Netherlands
To that Special Someone, part II, Hotel Maria Kapel, Netherlands
 
2019
Mood Ring, Roodkapje Rotterdam, Netherlands
Edge of an Era: Archive, Live Art Development Agency, London, UK
Sailors, Alice Yard, Port-of-Spain, Trinidad & Tobago
 
2018
Sensational Bodies, Jerwood Space, London, UK
Caribbean Linked V, Caya Grandi & Ateliers ’89, Oranjestad, Aruba
I’m Not Who You Think I’m Not #14, Berlin Biennale X, ZKU, Berlin, Germany
Artistic Interventions, The Barbados Museum & Historical Society, Bridgetown, Barbados
Punch-In 2 Reveal, Morningside Gallery, Barbados
 
2017
Transoceanic Visual Exchange, Fresh Milk Art Platform, Barbados
Sonic Soundings: Venice Trajectories, 57th Venice Biennale, Venice, Italy
 


Collections
Leslie-Lohman Museum, NYC (USA)
Textile Museum, Tilburg (NL)

Private collections include those of:
Liza Mauer
Bianca Roden
W&Y Cooreman
Lief Djurhuus
S. Davíðsdóttir
R&J Cowan 
TPCA collection


Awards
2024
Rijksakademie van Beeldende Kunsten, Amsterdam, NL
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2023
Profielprijs Award, Stitching Profiel, at TextielMuseum, Tilburg, Netherlands

2020
NLS Kingston Curatorial and Art Writing Fellow
 

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Residencies
2024

Rijksakademie van Beeldende Kunsten, Amsterdam, NL 

2022
Alice Yard, documenta fifteen, Kassel, Germany
LIVE WORKS Free School of Performance, Centrale Fies, Dro, Italy
CCA Glasgow + Primary Performance Residency, Barbados
 
2021
On Shelter, Hotel Maria Kapel, Hoorn, Netherlands
Residency and collection assignment at the TextielMuseum, Tilburg, Netherlands
 
2020
NLS Kingston Curatorial Fellowship, Kingston, Jamaica
 
2019
Hamburger Community of Art, Roodkapje Rotterdam, Netherlands
Studium Witte de With: Parallel Curriculum, Witte de With, Rotterdam, Netherlands
Alice Yard, Port-of-Spain, Trinidad and Tobago



Selected Press
The Need for Alternative Futures - Taking Root Among the Stars, Metropolis M, Katia Krupennikova (2025)

Staging Decadence: Ada Patterson - in conversation with Rachel Hann

NY Times: Navigating Worlds an Ocean Apart, Through Art

"In this writer's vision of our climate future, trans girls are the only survivors" - interview with Ada Patterson by Brianna Baker